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The Eau de Parfum is a beautiful, airy version of the original 11 11. The scent is delivered in organic sugar cane alcohol which creates a new translation of the classic. Sheer, clean and uplifting with an ethereal vibe, it has a crisp texture and transparency. Wear on its own or layer over the 11 11 oil to add brightness and longevity.

Free of parabens, phthalates and sulfates. Cruelty free.

• 1 bowl
• 6.84” x 6.84” x 4”
• Made of Acacia Wood
• Care Instructions
• Made in India

Abstract painting meets theosophical spirituality in 1930s New Mexico: the first book on a radical, astonishingly prescient episode in American modernism

Founded in Santa Fe and Taos, New Mexico, in 1938, at a time when social realism reigned in American art, the Transcendental Painting Group (TPG) sought to promote abstract art that pursued enlightenment and spiritual illumination. The nine original members of the Transcendental Painting Group were Emil Bisttram, Robert Gribbroek, Lawren Harris, Raymond Jonson, William Lumpkins, Florence Miller Pierce, Agnes Pelton, Horace Towner Pierce and Stuart Walker. They were later joined by Ed Garman. Despite the quality of their works, these Southwest artists have been neglected in most surveys of American art, their paintings rarely exhibited outside of New Mexico. Faced with the double disadvantage of being an openly spiritual movement from the wrong side of the Mississippi, the TPG has remained a secret mostly known only to cognoscenti.

Another World: The Transcendental Painting Group aims to address this slight, claiming the group’s artists as crucial contributors to an alternative through-line in 20th-century abstraction, one with renewed relevance today. This volume provides a broad perspective on the group’s work, positioning it within the history of modern painting and 20th-century American art. Essays examine the TPG in light of their international artistic peers; their involvement with esoteric thought and Theosophy; the group’s sources in the culture and landscape of the American Southwest; and the experience of its two female members.

At 1,028 pages, featuring 1,740 objects and spanning 237 years, this authoritative volume is without doubt the ultimate book on furniture design

The Atlas of Furniture Design is the most comprehensive overview of the history of furniture design ever published. The book documents 1,740 objects by 546 designers and 565 manufacturers, and features more than 2,500 images, from detailed object photographs to historical documentation such as interiors, patents, brochures and reference works in art and architecture.

The basis for the Atlas of Furniture Design is the furniture collection held by the Vitra Design Museum, one of the largest of its kind in the world, with more than 7,000 works. The collection is made up of pieces from key periods in design history and by the most significant designers and manufacturers of the past 200 years, including early industrial furniture in bentwood or metal, Art Nouveau and Secessionist objects, works by such protagonists of classical modernism as Le Corbusier, Gerrit Rietveld, Charlotte Perriand and Marcel Breuer, postwar figures such as Finn Juhl, Eero Saarinen and Achille Castiglioni, and postmodern and contemporary designers like Philippe Starck, Marcel Wanders and Konstantin Grcic, as well as the estates of design legends such as Charles and Ray Eames, Verner Panton, Alexander Girard, George Nelson and others.

Several years in the making, the Atlas of Furniture Design has employed a team of 71 authors and features in-depth essays providing sociocultural and design-historical context to the history of furniture design, as well as 551 detailed texts accompanying key objects. The book is enriched by a detailed annex containing designer biographies, bibliographies, a glossary of manufacturers and an index, along with information graphics offering a complementary visual approach to the history of furniture design. The Atlas of Furniture Design is both an encyclopedic reference tool and an indispensable resource for collectors, scholars and experts, as well as a beautifully designed object that speaks to design enthusiasts around the globe.

table art crafted by Ed Rode.

Sapele base.  

3 in x 3 in